Sunday, December 26, 2010

Now Until Sin: 12.26.10

I decided to take Christmas off for the series. The time off allowed me to take inventory of the amazing releases from Xmas 2010. Now, I have never celebrated Christmas "officially," but I assume there has to some kind of hangover involved. Heavy meats, deserts, booze, and distant family can be a lethal mix for someone trying to be productive on the Sunday after Christmas--so, what's the point? Embrace it and enjoy the 2nd track from The Fall, the Gorillaz iPad album (when is the marketing for that little Damon Albarn nugget going to start, Steve Jobs?).

You have to love the inclusion of the nylon strings on the album. On both "Revolving Doors" and "Hillbilly Man," those guitars paint beautiful soundscapes on their own. Can't wait to hear some acoustic versions of these songs. For now, we'll just have to do with this. By the way, each track comes with its own photograph--the photo for "Revolving Doors" is included below. What a nice touch, 2D.

Christmas is over, we made it another year my Jewish brethren.

Gorillaz: "Revolving Doors"



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Friday, December 24, 2010

Now Until Sin: 12.24.10



For some reason, I have been running into Mike a lot recently. The 30 for 30 on his stint with the Birmingham Barons has been circulating around the ESPN networks, I have caught myself watching 1 too many Bulls games recently, and I just made an amazing MJ related purchase. Now, this tune just came across my radar. It had the "1996 bulls" in the tag, and let's be honest, how can it suck?



Little Red: "Rock It" ('96 Bulls Remix)
via@ www.analoggiant.com

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Insane in the Brain


Sure, in terms of musicality, so-called brostep may be a total gimmick, but I don't think anyone can resist a good drop. So here's a handful of some of the most mental drops I've come across. Likely, this is just part one of many, but for now, four tracks will have to suffice.

Ready. Set. Rage.

Phoner to Arizona


As the Christmas Eve offering of the Gorillaz advent calendar, Damon Albarn and the gang have released the first cut off of The Fall, an instrumental track with a lot of synthesized bleeps and bloops. It's only track one, though, so I guess you could consider this the equivalent of Plastic Beach's "Orchestral Intro." Only one more day to wait until we have the LP in its entirety! There's literally nothing Santa schlep down the chimney that would make me a happier SWiNE than The Fall—which is a good thing because that fat schmuck doesn't come to my house.

Thursday, December 23, 2010

Now Until Sin: 12.23.10



[Grooves so hard, it hurts]

Prince: "D.M.S.R."

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More new Deadmau5

Still not Strobe...

Golf Wang

Above: "Bastard" and "French" performed live at The Roxy Theatre in West Hollywood

I have a confession: I have a man crush on OFWGKTA's Tyler, the Creator. I follow him @fucktyler on Twitter, I've spun Bastard countless times, and I have a playlist on my iPod filled with every single Odd Future release. Tyler explains the appeal well in "Seven," the second cut off of Bastard: "Because I'm 17, compose my own beats, lyrically I'm dope enough to ass fuck the guy who made nicotine." Or maybe the allure is in those lethargic beats of which Tyler speaks, listlessly stumbling forward like the Wicked Witch of the East on barbiturates and giving Disaro's best a run for their gravewave money.

And if it's not the high-quality material this crew is producing at such a young age, it's Tyler, the Creator's perfectly gravelly voice. Pause. But really, the first time I heard him rap, I was sure that there was some kind of pitch shift or filter on his voice. It's got the gnarl of street veteran whose vocal chords have seen a bit too much smoke in their day—not a high schooler. In fact, I'd go as far as to proclaim Tyler, the Creator the joint recipient of the Best Rapper Voice award along with CyHi da Prynce (exhibit a: "she found out about April so she chose to Maaarch"; exhibit b: "my name ring beeellz"; exhibit c: "thugs think I'm a Blood 'cause I won't take this red suit oooff").

I'm sure that my love for all things OFWGKTA will yield a much longer piece in the future, but I'm trying to direct all my creative juices into this Kanye piece I'm working on (HYPE!), so I'll quit now before I dig myself deeper into a hole with all these questionable remarks about how much I love some dudes' voices. Now, get the hell on the East Coast's Odd Future Wolf Gang Kill Them All bandwagon. I'm the driver.

Now Until Sin: 12.22.10

Sorry this is late, but better than never. The Knocks are a electro duo that I have become very fond in the last few months. They write great dance tunes, perform live, and make great remixes. This is their 2nd or 3rd single (not sure what actually clarifies a song as a single anymore) after the epic, "Dancing With The DJ." Wham, bam I blacked out. The song is about selective memory after an epic night. L'chaim.



The Knocks: "Blackout"
Learn more @ http://heavyrocmusic.com

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Taylor Gang or teabag a bear trap

Ricky Rozay: Former correctional officer

New Rick Ross song featuring Wiz Khalifa just released via Twitter. Guess what they're is rapping about? Morality and the importance of the War on Drugs. Just joshin'.

Rick Ross ft. Wiz Khalifa: "Retrosuperfuture"

Wednesday, December 22, 2010

New Deadmau5

Still waiting on that Strobe killer...

Deadmau5 - Limit Break by fuckmylife

B-A-N-A-N-A-Z


For normal people, Christmas is about family and giving thanks and presents and food and all that lovey-dovey bullshit. For me, Christmas 2010 is about one thing and one thing only: The Fall. On Saturday, Damon Albarn and the Gorillaz will be releasing their so-called "iPad album" on their website. (It's only available to stream for non-fan club members, but fuck knows it will be all over the Interwebz minutes after it's put up.) Comprised exclusively of songs written and recorded during the Gorillaz American tour, The Fall is a separate entity entirely from Plastic Beach; however, the LP is sure to have ample noodlings of Albarn on synthesizers, a direction hinted on Demon Days cuts like "Dare," developed further throughout PB, and continued on "Doncamatic (All Played Out)," the only track we've heard since Plastic Beach's release this past March.

It's this "Doncamatic" track that's likely to offer the most accurate hints in terms of what kinds of sounds will be populating The Fall. Although the original version of "Doncamatic" is stellar in its own right, the Joker remix found on the single release puts a purple spin on the tune. Let this one hold you over until Christmas morning, kiddies.

Tuesday, December 21, 2010

Now Until Sin: 12.21.10

More traditional tonight. One thing I can't understand, though--how did this song not blow up? Chris Brown beatin up the beat (oh!), Yeezy with a above average verse and a killer hook. I guess Jive just doesn't have the distribution to get this in the hands of radio DJs and the oh so important bloggers...totally possible. This is indie major, man.



Chris Brown (feat. Kayne West): "Down"

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Swag


The posse that brought you 2010 standouts Bastard (Tyler, the Creator) and EARL (Earl Sweatshirt) dropped this Christmas-themed gem today on the OFWGKTA website. The beat is languid and lurching, as is typical of Tyler, the Creator's production, and Earl Sweatshirt returns from the abyss (boarding school?). What better Christmas present than Golf Wang's weirdo drugged-out raps and an Earl sighting?

For the record, in a totally non-elitist way, I'd like to remark that it amazes me how few people still don't know about these guys. They're making some of the freshest hip hop I've heard in a long time. Don't sleep!

Monday, December 20, 2010

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